From the cybernetic communism of 1981’s Technodelic to the boyish facade of 1983’s Naughty Boys and to hyper-kitsch comedy of Service (which includes numerous skits by the Super Eccentric Theatre satirizing popular television), the band’s unwavering commitment to aesthetics can still be felt through an entire generation of acts throughout the world. Light, joyous, yet forever committed to conceptual rigor, YMO built entire aesthetic universes from album to album that mirrored a rapidly changing creative landscape. In the wake of the brutal devastation of their native Japan at the hands the atomic bomb, technology became a tool for progress and reconstruction, a medium by which the nation was able to find booming economic growth in the years to come. In the same way that Kraftwerk’s obsession with the automobile shed light on the profound humanity of the man and machine as one, YMO understood the exciting possibilities-and crippling horrors-that new technological advances could introduce to society. Formed in 1978 in the interest of both poking fun and paying homage to the sort of tonedeaf “exotica” of lounge musicians Martin Denny and Les Baxter, the trio sought to interpolate this petri dish of ahistorical kitsch into something more inspired by technology as a vehicle for cultural exchange. Yet all too often, it feels like they’ve been passed by with changing trends unlike the stadium tours and museum retrospectives of German synth pioneers Kraftwerk, the act hasn’t seen the same explosive popularity in the West, in part because of the continuing prolificacy of each member’s solo career and the rarity of their extended catalog before the internet era.Īcross eight studio albums and countless solo endeavours, YMO refined a sound indebted to American jazz roots, yet blended countless influences into a mix of far-reaching styles. ![]() The map design also became incredibly poor with far more bush-wookie nonsense and far less interesting than the intense close-quarters urban warfare maps from the OG game.Īll-in-all, it was great, but I wouldn't recommend picking it up anymore.Sampled by J Dilla, covered by Michael Jackson, and cited by Juan Atkins and Derrick May as a key influence on what would later become Detroit techno, the Tokyo trio played an unquestionably important role in the formative years of electronic music, both in the underground and in its many momentary ascents into the mainstream. 01 second by a tiny wisp of flame from a flamethrower instantly incinerated you, and that it was absolutely, definitely great game design to give Americans all semi-auto rifles, something that was previously reserved for the "elite" classes only a few people could use, along with aforementioned flamethrowers while all the Japanese get bolt actions. Unfortunately, the base game, Heroes of Stalingrad, was ruined by Rising Storm which came to dominate the servers because it was "new" and which was made by a team of modders who had no idea what they were doing and thought that getting touched for. ![]() Map design is also fantastic and the game doesn't suffer from horrible muddy color palette with 0 visibility more than 10 feet away. ![]() Solved the issue of your entire team playing snipers by limiting the amount of niche roles that each team can have. One of the best battlefield-esque multiplayer FPS games.
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